No, this isn’t the lame Hollywood PULSE from 2006, but the 2001
Japanese original, directed by the skilled Kiyoshi Kurosawa. All of
Kurosawa’s predilections (as seen in CURE, CHARISMA and
SÉANCE) are on
display here, which include a rigorously controlled atmosphere and an
agonizing refusal to fully explain the particulars of the narrative.
There have been several claims of PULSE (KAIRO)
being the scariest movie ever, and the apparent “masterpiece” of Kiyoshi
Kurosawa. Whoever said those things was wrong on both counts, even
though PULSE was one of key films of the “J-Horror” boom of the early
00’s. It wasn’t officially released in the U.S. until 2005, yet had by
that point gained considerable popularity on the greymarket DVD circuit.
And yes, it was remade by Hollywood in 2006, but that version has
already been largely forgotten, and with good reason.
A group of young friends living in Tokyo are rocked by
the inexplicable suicide of their peer Taguchi. Yet one of Taguchi’s
buddies finds that his dial-up internet connection turns itself on one
night, and later on he gets a phone call from an unknown someone.
Taguchi’s ghost actually appears standing motionless in the home of one
of his pals--and then disappears, leaving behind an ashy stain. An
unidentified ghostly woman also turns up and then vanishes.
Another suicide occurs--a woman climbs to the top of a
tall tank and leaps to her death--and yet another ghostly figure is
spotted, this time in a library.
One of the protagonists suggests that the spirit world
has become overcrowded, so its denizens are seeping into the mortal
world via the internet! Once here those spirits are apparently inspiring
people to commit suicide. In the meantime more and more ghosts are
spotted throughout Tokyo, and suicides proliferate until the city is
all-but deserted, with only the naïve protagonists alive…but are
they truly “alive?”
What gives Kiyoshi Kurosawa’s movies their
distinction is his artful treatment. His films are spare, even-tempered
and highly idiosyncratic, and don’t play like traditional horror movies,
Japanese or otherwise. PULSE’S atmosphere is thoroughly and convincingly
naturalistic, which makes the supernatural intrusions all the more
affecting. The idea of the internet as the source of a ghostly
infestation doesn’t seem all that unprecedented nowadays, but it was
when the film was first released, meaning it has an original premise
(even if it does owe something to the phenomenally popular
Concentration is another Kurosawa’s virtues. This film
is quite pointed and concise, so much so that Kurosawa doesn’t need to
result to traditional movie scare methods (fast cutting, noisy music
cues, etc) to make his points.
That’s not to say, however, that PULSE is particularly
coherent. Kurosawa has always favored ambiguity (a prime reason his
films are liked by art film patrons) and that’s quite true in PULSE,
which appears to have an extremely involved narrative but lacks the
connective tissue to play like anything more than a disconnected
succession of impeccably executed scare sequences.
Kadokawa Pictures/NTV Network/Hakuhodo Inc./Imagica Corp.
Director: Kiyoshi Kurosawa
Producers: Shun Shimizu, Seiji Okuda, Takeshi Inoue, Atsuyuki Shimoda
Screenplay: Kiyoshi Kurosawa
Cinematography: Junichiro Hayashi
Editing: Jyunichi Kikuchi
Cast: Haruhiko Kato, Kumiko Aso, Koyuki, Kurume Arisaka, Masatoshi
Matsuo, Show Aikawa, Jun Fubuki, Shinji Takeda, Koji Yakusho